![]() ![]() It'd be another great way of getting creative with photography from your phone, and making use of the excellent quality from those cameras. I'd love to see Apple make better use of its optical image stabilization to allow for really sharp long-exposure photos, not just of water, but of nighttime scenes too, perhaps of car headlights snaking their way through the street. They're fine for sending to your family or maybe posting to Instagram, but they won't look good printed and framed on your wall, and I think that's a shame. The result is shots that are quite mushy looking, even when you put the phone on a mobile tripod for stability. The problem is that the iPhone uses a moving image - a Live Photo - to detect motion in the scene and then digitally blur it, and this usually means that any movement gets blurred, even bits that shouldn't be. Andrew Lanxon/CNETĪnd though it's easy to do on the iPhone, the results are only OK. It's a good effort, but you lose a lot of detail in the process. It's a great technique to really highlight the motion in a scene, and it's something I love doing on my proper camera and on my iPhone.Ī standard and long-exposure comparison, taken on the iPhone 11 Pro. You'll have seen those shots images of waterfalls or rivers where the water has been artfully blurred but the rocks and landscape around the water remain sharp. Much better long-exposure photographyĪpple has had the ability to shoot long exposure images on the iPhone for years now. ![]() After all, the phone already uses image blending technology to combine different exposures into one HDR image - it'd just be doing the same thing, only with focus points, rather than exposure. ![]() It might be a niche desire, but I'd love to see this focus stacking capability built in to the iPhone, and it possibly wouldn't even be that difficult to do. It's the opposite goal of the camera's Portrait Mode, which purposefully tries to defocus the background around a subject for that artful shallow depth of field - or "bokeh." Although on a Windows computer, you may need to install an additional component. Then, those images are blended together later - usually in desktop software like Adobe Photoshop or dedicated focus software like Helicon Focus - to create an image that has focus on the extreme foreground and the background. If these are HEVC video files (and the report will tell us) then you should be able to edit them in Premiere Elements 2020 (aka version 18). Andrew Lanxon/CNETįocus stacking means taking a series of images with the camera staying still while focusing on different elements within a scene. The result is a subject that's pin-sharp from front to back. Using my Canon R5, I took multiple images here, focusing at different points on this fly, and then merged them together afterward. ![]()
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